When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkeynamed Beatrice and Virgiland the epic journey they undertake together.
With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.
Why did I choose to write a novel about the Holocaust? There’s nothing personal to this interest; I’m neither Jewish, nor of German or eastern European extraction. I’m a complete outsider who’s been staring at this monstrous massacre of innocents since I first learned about it as a child living in France. It’s as an artist that I’ve kept coming back to the subject. What can I do as an artist about the Holocaust? I believe that if history does not express itself as art, it will not survive in common human memory.
And so I took what I knew of the Holocaust, the cumulative knowledge of my reading and viewing and visiting (both to camps in Poland and Germany and to Yad Vashem in Israel and to various museums), and I set it next to that part of me that wants to understand through the imagination. Then I sat down and wrote Beatrice and Virgil.
